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Marc和Claudia(多米尼克·圣克莱尔饰)是一对夫妇，欢爱后她去散步，在树林里遇到了正在修理自行车的Louis(Christoph Clark饰)，他们一起来到了一所大房子并发生关系，Marc想知道他的妻子在哪里，于是去找她，这时候她已经离开了那所房子，他看到她在回家的路上，于是开车带着他回家了。

In 1912, a Russian officer is wrongly accused of having stolen important papers. His only alibi being to have spent the night with the wife of a colonel, he allows himself to be condemned so as not to compromise the latter. He manages to escape and hides in the guise of a poor boatman. One day, the truth comes out, the colonel commits suicide and the lovers are finally reunited.

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Labarthe was very much in the orbit of the French New Wave—he appears as an actor in Godard’s My Life to Live—and his collaborator, Janine Bazin, was the widow of film theorist and Cahiers du cinéma co-founder André Bazin. Yet by 1964, five years after the explosion of the movement onto French and international screens, doubts about the true impact of the New Wave had emerged. Labarthe and Bazin assembled an intriguing round-table made up of Cinématheque Française director Henri Langlois, and filmmakers Alexandre Astruc, Pierre Kast and Agnès Varda to discuss the past, present and future of the movement.

At the end of the 1950s, four humor specialists simultaneously experienced recognition. Fernandel with “The Cow and the Prisoner”, Bourvil with “The Hunchback”, Jacques Tati with “My Uncle” and Louis de Funès with “Oscar” at the theater. On the big screen or on stage, each of these artists has a unique style of humor. They are the kings of French comedy. But how did they manage to become true box office champions? How did they experience their immense popularity? How do they still influence the comedy genre? And above all, are- are they funny in life? Where is the line between their character in the cinema and their real personality?

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